Tuesday, April 25, 2017

Creative Spotlight: Pencils n Brushes Artworks/The Hive Academy


In this interview, we got the chance to sit down and interview the humble co-founders of Pencils n Brushes and the Hive Academy. Meet Ayokanmi and Tolu Binutu, creative artists with shockingly non-art related backgrounds. Ayokanmi is an economist and Tolu is a medical doctor. It is amazing to see that they kept their artistic skills sharpened enough to open a creative startup while also sharing their knowledge from their business experiences in Nigeria with their students at the Hive Academy. They were inspired by the famous Disney brothers namely Walt who was a cartoonist and Roy was a naval officer with the US Navy as kids. Enjoy the thought provoking conversation on the Nigerian art scene and doing business in it below:

Ayokanmi Binutu and Tolu Binutu
Photo Credit: The Hive Academy

      DMSB: Kindly tell us a bit about yourselves and your background.
PnB: Hi. I’m Tolu and my brother over here is Kanmi. We are visual artists and are the founders of Pencils n Brushes Artworks (www.pnbartworks.com.ng) and The Hive academy. Art has always come naturally to us, but the idea of starting an art and Design Company came to us in 2010. At that point, i was in medical school (training to become a Doctor). I’d advertise art to my friends who wanted to woo babes and tell them that i could get a portrait done, a portrait that would tilt the scales in their favour. Then I’ll give the contract to Kanmi to do because med school didn’t give me enough time to draw. That’s how we started.

      DMSB: What inspired starting up your creative venture?
PnB: We started Pencils n Brushes artworks and The Hive for two purposes only. The first was to beautify the world with the most spectacular visual art and design to be made by Man. You see, Art and Design are very remarkable, in that they are tools that can be used to communicate and to entertain in a way that no other tool could. They go beyond portraiture and fan art. They are our default means of expression, a way that our befuddled minds try to make sense of the world we live in and the world we carry in our minds. That’s why as kids, we all loved art. We all wanted to draw, paint, mold, carve, trace, you name it.
The second reason we had for starting was to correct the negative stereotype attached to visual art and artists. Art currently isn’t regarded by many as a valid profession. At best, it’s seen as a talent, a hobby for the less intelligent or the bored. The worst part is that many artists and designers have come to see themselves and their craft in this negative light. We want to correct this issue and let everyone, starting with the artists and designers themselves, and see that their abilities are valid and necessary. That the world needs what we have to offer because they can create beauty out of nothing.

      DMSB: When was it founded?
PnB: Pencils n Brushes artworks started in 2010. The Hive started in 2014.
     DMSB: Brief describe your journey as entrepreneurs in the not so always business friendly clime of Nigeria since 2010.
PnB: To be honest, we have failed a lot while gathering remarkable successes along the way. Initially, we struggled with the notion that a lot of Nigerians do not see art and design as a product that should be paid for. To them, our being able to create was a talent and as such, shouldn’t be paid for. To God be the glory, we don’t get a lot of those anymore. Then there was the issue of hiring the wrong people. That gave us a bit of a headache too.

A Coloured Portrait of Jon Snow from Game of Thrones in Native African Attire of the Yoruba Tribe of South-West Nigeria Called “Agbada” Rocking a Bead Necklace with a Fur Coat
Photo Credit: Pencils n Brushes Artworks

    DMSB: PnB Artworks offers a diverse range of services. Please kindly take us through what is offered.
PnB: OK, this should be fun! (Chuckles). Like I said earlier, our products and services either pass a message across or they entertain. In the category of products and services that communicate, we have pencil art, paintings, digital art and visual communication (Logo design and corporate identity).
As for entertainment, there is a package we introduced last year called “A Pencils n Brushes Artworks Event”. It’s for events like birthdays and weddings. The products and services in this category are Live paintings (where we paint things happening live at an event), Live sketches (we draw people and places at events), Designs (we design Invitation cards, banners, table top cards, caricature guest boards etc.) and Glitter paintings. The glitter paintings are awesome man, you should see them!
  
     DMSB: Running a business with family is usually dreaded but you two make it look so easy. What is the secret behind this?
PnB: (Laughs) It isn’t easy. Running a business with a partner isn’t easy. That said, i think it helps that I’m in business with my brother. Plus, we live together right now, so we discuss ideas that come to us at odd hours of the day. As long as we both continue to have a strong desire to grow the business, i think we will be fine.
    DMSB: Speed paintings at wedding events and creating silhouettes with glitter is considered intricate and dicey. How did you discover a market for it?
PnB: I love this question. OK, so at a point, we wanted to create a product especially for live performances. This was before we developed “A PnB Event”. We did our research and found out that, with sufficient practice and such trade secrets; we could speed up the process of creating live art at events and do them in minutes. We introduced these products into the entertainment sector in the latter part of 2015 and it has grown in leaps and bounds since then.
    DMSB: A campaign for the Hive Academy is currently online on Facebook and Instagram. What necessitated giving the training service more visibility with an identity of its own?
PnB: A lot of artists and designers do not know what they have and as such, abuse is inevitable. An artist does an artwork of a celebrity, gives it to the celebrity for free and without the celebrity asking for it, then the artist goes on social media and thanks the celebrity for giving him the honour of accepting the artwork. You see, this is an example of abuse that results from a poor knowledge of the potential he/she possesses.  Art and design are exhaustible. We haven’t even begun to scratch the surface. And yet, it seems we have made the least progress of all the sectors.
The Hive looks to correct this and many more mistakes in our interaction with clients, while also helping creative people make a living out of their crafts. The Hive is a school for artists and designers. Currently, we run courses in Pencil art and Visual communication.


Live Painting Commission at a Nigerian Wedding Event
Photo Credit: BellaNaija/Pencils n Brushes Artworks

DMSB: You just finished with the 1st batch of students for 2017. We see they are also part of the current campaign. What was your experience with them?
PnB: The last batch of students was a very interesting one. We had lots of fun with them. They were very talented and creative too. We learned a lot from them. Many of them had issues with the fundamentals of visual art and it had limited their progress. In the end, they each discovered their weaknesses and worked to get better at them.
They embodied the spirit of The Hive: An energetic set of people who aren’t afraid to push their limits and have fun while doing so.

    DMSB: Most Nigerian artists are not so business savvy. How do you address this problem at the Hive?
PnB: The one thing that people want is Freedom. Freedom to experiment, freedom to travel, meet new people, do what they really want to do. Money plays an important role in this, because money gives you the opportunity and the means to explore. To me, that is one of the reasons why every Artist should make money doing what they love to do. At the Hive, we explore ways to be profitable, how to make money and what to do to multiply this money once it is made. Money is important, very important. That is why we must learn how to make more of it, legally.

Tuesday, January 3, 2017

Meet the Passionate Artists Who Are Building An Animation Industry in Ghana and the Animation West Africa (AWA) Network

Cyril Jones Working on an Animation Project
Photo Credit: Cartoon Brew
For almost two years Cycil Jones Abban, now 37, managed a pharmacy and spent his nights animating. Like the cartoonist Batman of Ghana’s capital, Accra, Abban started by working from his home, and eventually, he became the head of his own studio, Parables Animation Studios (pictured at top).
The movies and shorts that Parables creates breathe life into classic Ghanaian folklore and history by putting modern twists on tales that Abban grew up with. The studio churns out colorful and vibrant 2D cartoons that are inspired by American TV animation, some of which have been viewed 60,000 times on YouTube.
Parable Animation GIF
Photo Credit: Cartoon Brew

As of today, Parables has created an animated short titled Anansi Must Die, a 45-minute film titled 28th The Crossroads, and Storytime in Akwaaba, a television series that aired on a government channel for one season. These productions have garnered national attention and have served as a way to preserve local culture in the face of mainstream American shows, like Spongebob Squarepants and Fairly Oddparents, which have become popular in Ghana.

Children learn from cartoons so it’s an excellent way to incorporate culture,” said Abban as he sat in a sparsely furnished office surrounded by wooden cutouts of characters from his animated series. “We translate our shows into the local languages so that everyone can enjoy them; this ensures that our culture isn’t overshadowed by foreign productions.
Cyril Jones Working Takes a Shot with Cut-Outs of His Characters in his Studio
Photo Credit: Cartoon Brew

The money he earned from his pharmacy largely funded Abban’s initial short film. Now, Parables has become self sufficient by taking on advertising jobs that have made further creative ventures possible and have exposed a larger, more mature audience to animation as a medium of communication.